Teenage Engineering EP Series, Contrast And Compare.

Teenage Engineering has earned a strong reputation for crafting audio devices that don’t just focus on technical specs but also embrace a unique blend of design and creativity. Two standout products in their lineup—the EP-1320 Medieval and EP-133 KO II—show just how far the brand is willing to go in terms of innovation and artistic expression. While both devices are part of Teenage Engineering’s celebrated range, they cater to different needs, from those seeking a deep dive into historical-inspired sounds to those looking for cutting-edge studio tools. In this review, we’ll take a closer look at both and explore how they differ in terms of design, functionality, sound quality, and overall user experience.

Design and Aesthetics: Where History Meets Modernity
The first thing that stands out about these two devices is their design, which speaks volumes about their intended purpose.

The EP-1320 Medieval feels like stepping into another world. Teenage Engineering has clearly drawn inspiration from the medieval period, integrating motifs of armor, weaponry, and ancient craftsmanship into the device. The matte finish, combined with engravings and subtle textures, gives the EP-1320 a rugged, historical look that feels like something between an art piece and a functional musical instrument. It’s not just a tool—it’s a conversation starter, bringing together modern technology with a visual representation of history. When you hold it, it feels solid and thoughtfully crafted, almost as if it could be an artifact from an ancient civilization, yet with all the sophistication you’d expect from a modern gadget.

On the flip side, the EP-133 KO II is a study in sleek, modern design. Inspired by minimalist principles, it has smooth, clean lines and a polished, professional look. If the Medieval is about evoking history, the KO II is focused on the now and the future. Its industrial aesthetic, with high-quality metals and materials, makes it look and feel more like a pro tool you’d find in a high-tech studio. It’s not about ornamentation—it’s about getting down to business, with form and function working hand-in-hand to create a more utilitarian, modern device. its basically the same form factor with a few changes in color and interface.

User Interface and Features: Exploration vs. Precision
When it comes to usability, both devices shine but cater to different user preferences and workflows.

The EP-1320 Medieval offers a more immersive, exploratory experience. Its interface reflects its medieval inspirations, with tactile buttons and knobs that provide just the right amount of resistance for satisfying adjustments. The touchscreen is small but highly responsive, making navigation through its range of sounds and settings intuitive. What stands out here is the creative space it offers: it’s not just about music production but about an experience. With sounds inspired by medieval instruments like lutes and church bells, the device encourages users to get lost in ancient sounds, all while adding their personal touch with modern effects and digital manipulation. It’s a great tool for creators who love to dive into the artistic side of sound, whether they’re making soundtracks for films, games, or exploring new sonic territories. the con here is that even though the Medieval has more memory, half of it is taken up by the stock sounds which CANNOT be erased or replaced which may be a dealbreaker for some.

In contrast, the EP-133 KO II takes a more traditional approach in terms of layout and functionality. With slightly larger knobs, streamlined controls, and a focus on precision, the KO II feels like a professional tool that prioritizes efficiency. The interface is designed for users who want to get straight to work. It’s geared more toward synthesis and sampling, with a powerful range of instruments and sound-shaping features that make it perfect for music production. The KO II includes advanced modulation options, effects, and sequencing tools that cater to users looking for a no-fuss, intuitive way to create professional-quality tracks. It’s a device that feels like it’s built for those who know exactly what they want and need to create without distraction. the con with this device is early releases had fader issues and some buggy software (all issues have been fixed) and these devices will NOT give you a “Daw in a box” experience like you would have on an MPC. there are some limitations these devices have as far as memory and functions, but its these same limitations that will help spark creativity in its users.

Sound Quality and Performance: History vs. Precision
When it comes to performance, both devices offer impressive capabilities, though they serve different sonic purposes.

The EP-1320 Medieval brings a unique sound palette rooted in the sounds of the past. For creators looking to evoke an ancient, cinematic, or atmospheric feel, this device excels. The emulations of historical instruments are spot-on—whether you’re working with the mournful strum of a lute or the deep toll of a church bell, the Medieval brings these sounds to life. And with the ability to distort and modulate these sounds, it’s not just about mimicking the past; it’s about reinventing it. You can create everything from haunting soundscapes to epic, cinematic compositions that blend the old with the new. If you’re seeking to infuse your projects with a sense of timelessness and history, the EP-1320 offers a creative playground.

The EP-133 KO II, however, is more focused on versatility and precision. It features cutting-edge synthesis technology that gives you access to a broader range of sounds. Whether you’re crafting intricate electronic beats, experimenting with sound design, or putting together a polished arrangement, the KO II handles it all with ease. The audio processing is clean and powerful, ensuring that your sound cuts through the mix with clarity. This device is ideal for anyone who needs flexibility and professional-grade performance in the studio. It’s not just about creating sounds but perfecting them.

Target Audience: Niche vs. Broad Appeal
The EP-1320 Medieval is clearly designed for a specific audience—those who want something unique and are interested in integrating historical or fantasy elements into their music or sound design. If you’re a composer, sound designer, or creator who works on projects with a medieval or historical theme, this device is tailor-made for you. It’s a niche tool for those who want to explore the intersection of ancient sounds and modern technology.

In contrast, the EP-133 KO II is designed to appeal to a much broader audience. It’s a versatile workhorse, made for producers, DJs, and musicians who need a high-quality, reliable device for everyday music production. With its ability to integrate seamlessly into professional studio setups, the KO II is perfect for both beginners and advanced users looking to create everything from electronic beats to complex arrangements.

Conclusion: Different Paths to Creativity
In the end, the EP-1320 Medieval and EP-133 KO II are both fantastic devices, but they serve different creative needs. The EP-1320 is an artistic tool for those who want to explore sounds from another time, blending medieval influences with modern technology. Meanwhile, the EP-133 KO II is a versatile, professional-grade instrument made for users who need a reliable and powerful device for creating contemporary music. Whether you’re drawn to the medieval charm of the EP-1320 or the sleek, functional design of the EP-133, Teenage Engineering has once again shown their commitment to pushing the boundaries of audio creativity.

Check Out The Ep Series And The Full Range Of Products On Teenage Engineering’s Website